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You are here: Home / Archives for playful work

The Sparks That Fly When Work Becomes Play

October 19, 2022 By David Griesing Leave a Comment

I’m probably more driven than you imagine. Which is why it was so healthy for me to get down on the floor the other day and get lost in some play with a simpler version of myself.
 
I use cut outs with different colors and patterns to make larger canvasses by moving them around and swapping them out. Think of building a quilt with a big dose of randomness so that something unexpected might begin to emerge from the associations you’re making.
 
If you’ve got enough cut-outs and the right unusual ones, the exercise is totally immersive. You forget where you are in the dexterity of moving these puzzle pieces around. And sometimes you end up with something that almost looks like art.
 
So it was serendipitous this week to stumble on an interview with a cartoonist (an artist, really), teacher and writer who’s made a career out of this kind of playfulness. I’ll introduce her properly in a minute.  In the interview, she was saying something about her grad students (“These are people at the top of their games [with] this laser focus on getting one thing done” in their areas of study) and how much they need little kids to show them how to relax their relentless quests enough for insight and creativity. She was talking about how 3- and 4-year olds approach problem-solving in tactile, immersive and playful ways and how she regularly invites them into the classroom to play with her big kids. 

[M]y students had to be on the floor with them working together. They had to try to get into their mind-set. It’s hard to explain, but it changes you. After you spend about 90 minutes with them, you just find that something has loosened up. You get away from that laser-focused, worrisome way of being.

When you’re an adult watching a kid playing with a little toy, you just think that kid’s doing that and there’s nothing else to it. But from the kid’s perspective that toy is playing with them. It’s interactive.” (I added the emphasis here.)

When the value of this mutual encounter penetrates, at least some of her grad students have a second option. Their scholarship is no longer just about the push to shape their field of study, get their book published and find tenure someplace. All of a sudden, their chosen field can be equally involved in pulling them into it and shaping them back, like that child’s toy. 
 
By breaking some of the earnestness down, there’s finally enough freedom for some magic to happen.
 
This ever-present chance to be taken out of my driven self is one of the great things about having Wally around. There is nothing—nothing—that he wants to do more than play. When I get down on the floor with him and grab a ball he knows what’s coming, because he’s up on his hind legs dancing with delight and purring with expectation. The sad part, I realized after reading this interview, is that I don’t get down on the floor with him enough. 
 
But between the cut-outs the other day and this chance interview encounter, I’m realizing that it’s irresponsible for me NOT to open that space on a regular basis. As this wise woman said, it’s not for everyone (like the chronically under-wired) so this kind of play won’t have: 

saving qualities for people who don’t need it. It’s like, some people can’t digest milk, you know? But a lot of people can.

I don’t post on Instagram anymore, but I visit regularly and have been captivated by the short videos posted by a former Philly guy (and current New Yorker) who identifies himself as @TheDogist  He wanders around the city in his shorts with his camera and whenever he sees an owner with her dog stops, asks if he can take the dog’s picture, interacts with it for a bit, and starts snapping or filming (actually, an invisible assistant does the filming). 
 
His encounters are often magical—like getting down on the ground with a 3- or 4-year old. He has a way with dogs, a dog-oriented gift for gab, and a pocketful of treats at the ready to move each dog’s full attention onto this total surprise of a stranger. I’ve found that @TheDogist’s dog portraits and filmed interactions often perfectly capture their mutual delight.
 
The pictures of dog’s noses here also capture that curious and playful spirit, I think, which brings me back to Lynda Barry. The interview with her (it’s all great, by the way) appeared a few weeks ago in The New York Times Magazine. She’s best known for a weekly comic strip called Ernie Pook’s Comeek, which I never recall seeing in any of my newspapers. (Interestingly, it was first published in a student newspaper, without her knowledge, by fellow cartoonist Matt Groening, whom you may know from his Simpsons fame in later years.) When Barry’s not drawing, she’s teaching “interdisciplinary creativity” at the University of Wisconsin. It was also telling that she’s living not very far from the place where she was born and clearly belongs.
 
Over the years, Barry has written (and drawn) several books, including the award-winning, 2008 graphic novel “What It Is,” a hat trick of sorts that is part memoir, part collage and part workbook counseling readers on how to make a space for their own creativity. One of my favorite things about Barry is that she won a MacArthur Fellowship (the so-called genius grant) a couple of years ago, when she was already well into her sixties.
 
It would not be wrong to say that building playfulness into her life and work has given her access to a kind of fountain of youth. 

These days, I treat my time on social media and streaming platforms like Netflix almost like a timed dessert. For example, I only look at Instagram when I’m close to falling asleep, and limit myself to the day’s postings from the few posters that I follow.  I also try to take my “other screen diversions” in similarly pre-measured doses because I know they’re like sugar:  something I crave but also know are less-than-deadly-for-me ONLY when consumed in small amounts. 
 
YouTube, Twitter, IG. Screen diversions that are always waiting to take you away from reality are addictive: a kind of Mind Candy. These interfaces “know” you well enough to call to you and suck you in like play, but have little-to-none of play’s interactive and real-world upsides. Most of the time, all they are is an escape from reality, especially the reality of your own life and work.
 
Of course, Barry understands the difference between genuine play and the faux-playfulness of screen time as well as anyone, including in this parable of sorts, where she tells us: 

I have I have a friend who’s a writer. No matter what we’re doing or whom he’s around, he’s on his phone. We were sitting out in a parking lot, and there was a guy who came out who was in this full orc costume with a shield. I thought, I’m not going to say anything. Let’s see if my friend looks up. The guy passed right by him and — it was outside a hotel — tried to get through a revolving door. There’s all this bump ba bump ba bump, and if my friend would have looked up, he would have seen an orc [fighting with the revolving door and then] go by! But he never looked up! Then later I told him, and he’s like, ‘That didn’t happen!’ [But] it totally did happen! So something that closes you off to the world that you’re in — I mean, I could be on TikTok all night long. I keep deleting that app because I love it so much. But something that takes you out of your environment, you pay a high price. You miss the orc.

As if she needs to, Barry drives home her point even further:

The main thing about the phone is that you’re no longer where you are. You’re no longer in the room. You’re no longer anywhere. The opportunities to have an interaction with the things [and the people] around you are taken away. I just see the world as richer without the phone.” (my emphases again)

Your alternative focus doesn’t have to be violence on the streets, Vladimir Putin, North Korea, girls cutting off their hair in Iran, babies starving in Pakistan, babies starving in the Horn of Africa, “disturbing images in this video,” rainforests being cut down, a politicized Supreme Court, mass shootings in our schools, smaller containers of coffee for the same price at the grocery store—because those things are only a small part of our daily realities and their din (because that’s what it is) can be escaped with equally small doses of social media time. 
 
For the rest of our lives and our work, playful interaction with the world around us might be a whole lot healthier.

My favorite nose.

The picture of the dog up top was taken by one of the ”teachers” at our favorite day care center @phillydogschoolfairmount The second one is care of @odzi.and.elza, also on IG, and the third from the Dog School folks again on a particularly “nosy” day. I took the last one myself, this morning. 

This post was adapted from my October 9, 2022 newsletter. Newsletters are delivered to subscribers’ in-boxes every Sunday morning, and sometimes I post the content from one of them here. You can subscribe (and not miss any of them) by leaving your email address in the column to the right.


Filed Under: *All Posts, Continuous Learning, Using Humor Effectively Tagged With: @theDogist, dog nose, Lynda Barry, playful work, social media and streaming as timed dessert, stop looking at your phone

Good Work Uses Innovation to Drive Change

July 29, 2018 By David Griesing Leave a Comment

Welcome to the “white-water world”—a world that is rapidly changing, hyper-connected and radically contingent on forces beyond our control.

The social environment where we live and work today:

– makes a fool out of the concept of mastery in all areas except our ability–or inability–to navigate these turbulent waters successfully (the so-called “caring” professions may be the only exception);

– requires that we work in more playful and less pre-determined ways in an effort to to keep up with the pace of change and harness it for a good purpose;

– demands workplaces where the process of learning allows the tinkerer in all of us “to feel safe” from getting it wrong until we begin to get it right;

– calls on us to treat technology as a toolbox for serving human needs as opposed to the needs of states and corporations alone;  and finally,

– this world requires us to set aside time for reflection “outside of the flux” so that we can consider the right and wrong of where we’re headed, commit to what we value, and return to declare those values in the rough and tumble of our work tomorrow.

You’ve heard each of these arguments here before. Today, they get updated and expanded in a commencement address that was given last month by John Seely Brown. He was speaking to graduate students receiving degrees that they hope will enable them to drive public policy through innovation. But his comments apply with equal force to every kind of change–small changes as well as big ones–that we’re pursuing in our work today.

When you reach the end, I hope you’ll let me know how Brown’s approach to work relates to the many jobs that are still ahead of you.

Good Work Uses Innovation to Drive Change

John Seely Brown is 78 now. It seems that he’s never stopped trying to make sense out of the impacts that technology has on our world or how we can use these extraordinary tools to make the kind of difference we want to make.

Brown is currently independent co-chairman of the Center for the Edge, an incubator of ideas that’s associated with the global consulting firm Deloitte. In a previous life, he was the chief scientist at Xerox and the director of its Palo Alto Research Center (or PARC). Brown speaks, writes and teaches to provoke people to ask the right questions. He stimulates our curiosity by defining the world in simple, practical terms that are easy to understand but more difficult to confront. As a result, he also wants to share his excitement and optimism so that our own questioning yields solutions that make the most out of these challenges and opportunities.

He begins his commencement address with quotes from two books that frame the challenge as he sees it.

KNOWLEDGE IS TOO BIG TO KNOW

We used to know how to know. We got our answers from books or experts. We’d nail down the facts and move on. We even had canons . . . But in the Internet age, knowledge has moved onto networks. There’s more knowledge than ever, but it’s different. Topics have no boundaries, and nobody agrees on anything.  (from “Too Big To Know” by David Weinberger)

A WEB OF CONNECTIONS CHANGES EVERYTHING

The seventh sense is the ability to look at any object and see (or imagine) the way in which it is changed by connection–whether you are commanding an army, running a Fortune 500 company, planning a great work of art, or thinking about your child’s education. (from “The Seventh Sense” by Joshua Cooper Remo)

These realities about knowledge and connection impact not only how we think (research, practice, and create) but also how we feel (love, hate, trust and fear). Brown analogizes the challenge to navigating “a white water world” that requires particular kinds of virtuosity. That virtuosity includes:

– reading the currents and disturbances around you;

– interpreting the flows for what they reveal about what lies beneath the surface; and

– leveraging the currents, disturbances and flows for amplified action.

In short, you need to gain the experience, reflexes and opportunism of a white-water rafter to make the most out of your work today.

Becoming Entrepreneurial Learners

To confront the world like a white-water rafter, Brown argues—in a kind of call to arms—that each graduate (and by implication, each one of us too) needs to be a person whose work:

Is always questing, connecting, probing.

Is deeply curious and listening to others.

Is always learning with and from others.

Is reading context as much as reading content.

Is continuously learning from interacting with the world, almost as if in conversation with the world.

And finally, is willing to reflect on performance, alone and with the help of others.

No one is on this journey alone or only accompanied by the limited number of co-workers she sees everyday.

John Seely Brown

Years before giving this commencement address, Brown used the “one room schoolhouse” in early American education as the springboard for a talk he gave about the type of learning environment we need to meet this “call to arms.” In what he dubbed the One Room Global Schoolhouse, he applied ideas about education from John Dewey and Maria Montessori to the network age. This kind of learning has new characteristics along with some traditional ones.

Learning’s aim both then and now “is making things as well as contexts,” because important information comes from both of them. It is not simply the result (the gadget, service or competence with spelling) that you end up with but also how you got there. He cites blogging as an example, where the blog post is the product but its dissemination creates the context for a conversation with readers. Similarly, in a one-room schoolhouse, a student may achieve his goal but only does so because everyone else who’s with him in the room has helped him. (I’ve been taking this to heart by adapting each week’s newsletter into a blog post so that you can share your comments each week with one another instead of just with me if you want to.)

On the other hand, learning in a localized space that’s open to global connections and boundless knowledge means that it’s better to “play with something until it just falls into place.” It’s not merely the problem you’re trying to solve or the change you’re trying to make but also creating an environment where discovery becomes possible given the volume of inputs and information. This kind of work isn’t arm’s length, but immersive. (I think of finger-painting instead of using a brush.) It allows you to put seemingly unrelated ideas, components or strategies together because it’s fun to do so and–almost incidentally–gives rise to possibilities that you simply didn’t see before. In Global Schoolhouses, “tinkering is catalytic.”

Because “time is money” in the working world, one of the challenges is for leaders, managers, coordinators, and teachers to provide “a space of safety and permission” where you can make playful mistakes until you get it right. Because knowledge is so vast and our connections to others so extensive, linear and circumscribed forms of learning simply can’t harness the tools at our disposal to make the world a better place.

Some of the learning we need must be (for lack of a better word) intergenerational too. Brown is inspired by the one room schoolhouse where the younger kids and the older kids teach one another and where the teacher acts as coach, coordinator and mentor once she’s set the table. In today’s workplace, Brown’s vision gets us imagining less hierarchical orgnizations, workers plotting the directions they’ll follow instead of following a manager’s directions, and constantly seeking input from all of the work’s stakeholders, including owners, suppliers, customers and members of the community where the work is being done. The conversation needs to be between the youngest and the oldest too. For the magic to happen in the learning space where you work, that space should be as open as possible to the knowledge and connections that are outside of it.

In his commencement address, Brown refers to Sherlock Holmes when describing the kind of reasoning that can be developed in learning collaborations like this.

[W]here Holmes breaks new ground is insisting that the facts are never really all there and so, one must engage in abductive reasoning as well. One must ask not only what do I see but what am I not seeing and why? Abduction requires imagination! Not the ‘creative arts’ kind but the kind associated with empathy. What questions would one ask if they imagined themselves in the shoes, or situation of another.

Here’s a video from Brown’s talk on the “Global One Room Schoolhouse.” It is a graphic presentation that covers many of the points above. While I found the word streams snaking across the screen more distracting than illuminating, it is well worth the 10 minutes it will take for you to listen to it.

There’s Cause for White-Water Optimism

We’re worrying about our work for lots of reasons today. Recent news reports have included these troubling stories:

– the gains in gross national product (or wealth) that were reported this week are not being shared with most American workers, which means the costs and benefits of work are increasingly skewed in favor of the few over the many;

– entire categories of work—particularly in mid-level and lower paying jobs—will be eliminated by technologies like advanced robotics and artificial intelligence over the next decade;  and

– the many ways that we’re failing to consider the human impacts of technologies because of the blinding pace of innovation and the rush to monetize new products before we understand the consequences around their use—stories about cell phone and social media addictions, for example.

Brown’s attempt to produce more white-water rafters who can address these kinds of challenges is part of the solution he proposes. Another part is to balance our legitimate concerns about the changes we’re experiencing with optimism and excitement about the possibilities as he sees them.

Brown closes his commencement address with a story about the exciting possibiities of new technology tools. It’s about how Artificial Intelligence (AI) can become Intelligence Augmentation (or IA). “[I]f we can get this right,  he says, ” this could lead to a kind of man/machine virtuosity that actually enhances our humanness rather than the more dystopian view of robots replacing most of us.”

Brown witnessed this shift to “virtuosity” during the now legendary contest that pitted the greatest Go player in the world against AlphaGo, an artificial intelligence program. (Maybe the world’s most complex game, Go has been played in East Asia for more than 2500 years.)

There is a documentary about AlphaGo (trailer here) that I watched last night and that I agree with Brown is “stunning.”  It follows at close range the team that developed the AIphaGo program, the first games the program played and lost, and the final match where AlphaGo beat the world champion in 4 out of 5 games. What Brown found most compelling (and shared with his graduates) were the testimonials and comments at the end.

Those who play the game regularly, like Brown apparently does, found the gameplay they witnessed to be “intuitive and surprising,” even “creative.” Passionate players who watched the human/machine interaction throughout felt it expanded the possibilities and parameters of the game, “a different sense of the internal beauty of the game.” For the world champion himself, it was striking how much it improved his Go play after the epic match. Brown was so excited by these reports that he felt the 21stCentury actually began in 2016 when the championship matches took place. In his mind, it marked the date when humans and machines began to “learn with and from each other.”

Of course, Brown’s AlphaGo story is also about the entrepreneurial learning that produced not only an awe-inspiring product but also a context where literally millions had input in the lessons that were being learned along the way.

+ + +

The past year’s worth of newsletter stories have considered many of the observations that Brown makes above. If you’re interested, there are links to all published newsletters on the Subscribe Page. Here’s a partial list of topics that relate to today’s discussion:

– how technology influences the future of our work (9/13/17-why “small” inventions like barbed wire, modern paper and the sensors in our phones can be more influential than “big” ones like the smart phone itself; 10/1/17-how blockchain could monetize every job, big and small, where you have something of value that others want);

– how openness to “the new and unexplored” is key to survival in work and in life (8/20/17–working groups outside your discipline are better at “scaling up” learning in rapidly changing industries; 6/24/18–a genetic marker for extreme explorers has been found among the first settlers of the Western Hemisphere); and

– the value of playful tinkering (7/2/17 -if you really want to learn, focusing less may allow you to see more); 8/27/17–how curiosity without formal preparation can win you a Nobel Prize in physics; and 10/17/17–the one skill you’ll need in the future according to the World Economic Forum is the ability to play creatively).

What John Seely Brown does in his June commencement address is to link these ideas (and others) into a narrative that’s filled with his own excitement and optimism. In my experience, the commencement address season is a particularly good time to find his kind of inspiration.

Filed Under: *All Posts, Being Part of Something Bigger than Yourself, Continuous Learning, Entrepreneurship Tagged With: Ai, AlphaGo, connectedness, connection, entrepreneurial learning, IA, innovation, John Seely Brown, learning, playful work, technology, tinker, too big to know, tools, transformational work, whitewater world

At Work I’m a Dancing Machine

May 19, 2013 By David Griesing Leave a Comment

We hear a lot about work, how it’s wearing us down, or covering the bills, or how much it lets us “contribute to the economy as consumers.”

Less attention is paid to looking at our bodies at work:  the rhythm of routine, the mesh of collaboration and the reach of accomplishment. It’s how we’re sometimes reduced to a fist by what others think of the work we’re doing, or elevated to a higher state by the sense of purpose it gives us. It’s man as Icarus but also as machine.

The Jobs Project, playing in Philadelphia through today, is a bold, imaginative, and sharply executed dialogue in words and movement that captures familiar and unfamiliar truths about the work we all do.

We say it with paint or poetry or sculptural forms because they open up levels of meaning that are simply not available any other way. This is true of dance too, but The Jobs Project from a company called RealLivePeople(in)Motion, gets its singular edge by also being a hybrid. It pairs the cadence of one to six dancers with recorded comments from men and women about their work, and mid-dance interviews with the performers themselves about what they do when they’re not dancing—or do so that they can dance—all to an hypnotic score by Ilan Isakov.

This inspired mash-up of inputs provides take-aways about the workplace that add both layers and textures to what we think we know about what happens there every day.

The Jobs Project is the brainchild of Gina Hoch-Stall, its richly gifted choreographer and director. Gina dances too, with the precision clockwork of a troupe that includes Molly Jackson, David Konyk, Sara Nye, Mason Rosenthal and Hedy Wyland.

photography/Lindsay Browning
photography/Lindsay Browning

Ingredients essential to the whole were provided by others too, like Andrea Calderise (artist), Megan Quinn (dramaturg), Patricia Dominguez (costume design), Maria Shaplion (lighting) and those joining Ilya on the sound score (Four Tet, Garth Stevenson, Michael Wall, Nathan Fake and The Books). Grassroots support for a performance that’s been building for more than a year was given a welcomed assist by the Puffin Foundation (“continuing the dialogue between art and the lives of ordinary people”), the Latvian Society (by hosting) and Yards Brewing Company (by wetting the whistle).

Like a start-up company, almost as breathtaking as anything here was the ability of this dedicated core to make something this wondrous come to life.

You can see a bit of the magic for yourself in the rehearsal footage here (with some or all of the piece to be posted later). While you’re watching, I invite you to imagine an element in the performance that made one of the most important points of all.

 

The Jobs Project was crisp and precise, but improvised and spontaneous too, like the best work. It is one of the dancers, Mason Rosenthal, who interviews the other dancers as they crisscross the space. The fun he had throughout, and how his seemingly off-the-cuff comments both relieve and accentuate the rigor of the forms around him, said something essential about the work we all do.

That it can and should provide a measure of fun while you’re doing it.

Hats off to all!

Filed Under: *All Posts, Entrepreneurship, Introducing Yourself & Your Work, Using Humor Effectively, Work & Life Rewards Tagged With: dance, entrepreneurship, insight, motivation, movement, playful work, start-up

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