An Enabling Perspective for Our Wounded World

April 7, 2019 By David Griesing 2 Comments

What is most exceptional about Barry Lopez is his perspective and how he manages to involve us in it.

The remarkable prologue to his new book “Horizons,” finds him in the last place we expect to find him. For an author who has brought us with him to the most remote corners on earth—the iron mines of Aboriginal Australia, the unfathomable expanses of Antarctica, an archeological site on Skraeling Island, Banda Aceh after the tsunami, Cape Foulweather’s “ghosted landscape”—Lopez is reclining on a beach chair at a Hawaiian resort, playing with his grandson in the shallow waves, swimming off shore to show him the sunken battleship Arizona, remembering an odd encounter with John Steinbeck when he too was young and thinking about writing, watching “the pool water shatter into translucent gems” after a tourist’s spontaneous, arcing dive. They’re the reveries of a summer day. And then this, as he looks out from the dreamlike circle of his life and family:

I want to wish each stranger I see in the chairs and lounges around me, every one of them, an untroubled life. I want everyone here to survive what is coming.

Until now, Barry Lopez’ most acclaimed book was “Arctic Dreams.” It is part travelogue and part meditation on the fragility and resilience of a particular landscape, along with its wildlife and people. Since it came out in 1986, he has written hundreds of articles, along with fiction and essays, but “Horizons” is “Arctic Dream’s” non-fiction companion and successor. It took him more than 30 years to recast what he had to say back then in the face of the profound impacts humanity has had on the earth in those ensuing years.

Robert MacFarlane remarked recently about the strangeness of calling what Lopez does in both of these books non-fiction, thereby defining them by “their negative and restricting relation to fiction.” Lopez breaks open the possibilities of non-fiction for me in the ways that he does for MacFarlane: with often gorgeous prose that is “stylistic adventure,” “ethical address,” and “secular spirituality” where land, wildlife and the traditional knowledge of ancient people are “tutelary presences.” Lopez is the medium that gives them voice when we can’t hear them for ourselves.

In his own writing, MacFarlane lets us feel the land, its wildlife and people too, using “the particular words” that conjure their essences and interactions most evocatively in an age when we’re losing “the language” that we once used to talk about them and therefore “the descriptions” that helped us to connect more deeply to the world around us. Out of MacFarlane’s concern about the loss of these words and memories over the same 30 years, he sees Barry Lopez’ own “life journey” as one “from hope to doubt.”

What I found most fascinating about “Horizon” are the contours of Lopez’ doubt today and how he involves us in the only outcome that seems possible given the uncertainties.

How can you warn us on our lounge chairs without disabling, through a sense of hopelessness, those you are trying so hard to engage?

1. Thirty Years Ago – 1986

The Lopez of “Arctic Dreams,” and much of what he recalls about his observations since, come from his being a fieldworker, meaning that his approach to the places he has visited are those of “attention and interpretation.” This is what MacFarlane has to say about Lopez’ well-honed conjuring tricks in his review of “Horizon”:

In one of the few even faintly comic moments in the book, Lopez recounts how the Inuit hunters refer to him as naajavaarsuk, the ivory gull, a species distinguished by its habit of “standing on the perimeter of the action, darting in to snatch something when there’s an opening”. One might add – though Lopez does not – that he is also an isumataq, a storyteller who “creates the atmosphere in which wisdom reveals itself”. The achievement of Lopez’s work has always been ontological before it is political; a “redreaming”, to use his verb, of the possibilities of human life.

Lopez always seems to have believed that if he describes what he’s experienced well enough, his readers and listeners can experience it too, trusting them to draw their own conclusions and to decide on how they’ll respond. In other words, Lopez invites a state of mind where decision-making becomes possible.

The last time I wrote about Lopez here, he talked about one way that he’s thought about it.

I gave a talk once at the Athenaeum in Providence, Rhode Island, and I asked the man who was my host, what is it that Emerson and all of these people did on a Sunday afternoon at the Athenaeum? Did they talk about politics, or did they talk about science, or did they talk about sports? What was it that made these talks so much a part of cultural memory for us? And he said they just elevated — they brought the level of the conversation up. And I reflected on that and thought, well, that’s what I want [to do].

On his own page, Lopez describes the conversation partners he’s after in unusually intimate terms: my “family, friends, mentors, professional colleagues—to whom I feel most beholden.” They are “people with whom I imagine I share a common fate.” For them, as he elaborates in “Horizon”: “You feel while you are witnessing such things that you must carry some of this home, that what you’ve found are not your things but our things.” It’s deeply personal sharing–like you’d do around a campfire–while reimagining the possibilities that are ahead of you together.

As the younger man of “Arctic Dreams,” Lopez was concerned about the environmental destruction and loss of habitat that he saw on his travels but challenged those who feared extinction was inevitable, believing that we had enough courage to reverse our course, even if our actions might not bear fruit in our lifetimes. Some of it may have been trusting too much that the conversation he had elevated would spur all those others to follow through. As he writes in “Horizon”:

Looking back, I see that this ideal—to imagine myself in service to the reader—had me balanced on the edge of self-delusion. But it was at the time my way of working. It didn’t occur to me that taking life [my role?] so seriously might cause a loss of perspective. How else, I would ask, could you take it?

The long road that Lopez took to “Horizon” involved going back to many of the places he had visited over the years to see what he had missed and to discover how the hope of “Arctic Dreams” could evolve into something sharper, with greater urgency and far less certainty.

2. Today

Lopez talked about this 30-year journey at the Free Library here on Tuesday, and during the hour and a half that he filled with his stories, I tried to track the emotions underneath them and how they have changed his role as an observer, interpreter and catalyst for those who are listening.

At the Free Library of Philadelphia on Tuesday night

I didn’t think that I’d ever get the chance.

As recently as a year ago, I’d heard that Lopez was gravely ill with a particularly aggressive cancer so I never thought I’d see him read from his work or sit in the same room with him. In addition to being something of a miracle, his appearance here this week was also a statement about his own resilience, the personification of survival in the face of his body’s self-destructiveness. He never talked about his illness, but his message was more intertwined with his own survival now and you could feel it.

Lopez is a tough old bird who’s been a relentless wanderer, a describer of all the shades of purple that the light reveals in a remote canyon, a professional diver, a chronicler of “the shock wave” of the Middle East, and the pilgrim who made his Pashtun guides take him to the empty niches at Bamyan where monumental statues of the Buddha carved from the living rock 1600 years ago had been blasted into oblivion by the Taliban–why?–because their voids called out to him. Voids like this are far more fixed in his vision today than they were 30 years ago.

It’s why MacFarlane describes “Horizon” as “a deeply wounded book” about “the throttled Earth.” Lopez seems less certain that he can reach the tourists in their lounge chairs around the pool and more reliant on networks of wisdom that still includes his “family, friends, mentors and professional colleagues” but now depends at least as much on the wisdom of traditional cultures that have found ways to survive in the face of war, environmental destruction and natural disaster. Unlike citizens of the developed world who act like children looking for heroes to save them, for thousands of years adults who know how to make decisions to care for everyone and ensure that no one gets left behind have guided “heroic communities” of indigenous people across the world. Today, Lopez tries to counter his doubts by imagining networks comprised of all the different communities that depend on adults with the knowledge to survive so that we can claim our uncertain future together.

When you face your own death and the death of the world you have lovingly observed and interpreted, there is far greater urgency in your message. From MacFarlane again:

The event horizon of climate change is swiftly narrowing its noose. Lopez’s writing throughout this book is pulled taut between his need to register the extreme urgency of the environmental crisis, and his long-held belief in time, patience and the careful observation of other cultures as the basis for a fix: “As time grows short, [writes Lopez,] the necessity to listen attentively to foundational stories other than our own becomes imperative.’

At the Free Library, Lopez talked repeatedly about the centuries of practical wisdom that enable traditional societies to repair themselves, to “go on,” whatever knocks them down. Instead of our Western view of progress—the confidence that things will always get better—he counters that the health of the world is following a very different path and that our only hope rests with those who already have (or are willing to nurture) the ability to start over again, to survive, even when they find themselves in the darkest places.

As I listened I found myself wondering: when is the last time that anyone I know had to figure out a way to survive from one day to the next?

And as with MacFarlane’s lost “words” and “descriptions of nature”: how much natural resilience and willingness to rely upon one another has our freedom, wealth and belief in progress allowed us to forget, but that we’ll need to remember if we’re to adapt and survive in this increasingly “throttled” world?

There were glimmers of anger, impatience and disgust in Lopez’ uncertainty on Tuesday night, but only briefly and they quickly disappeared behind his refusal to despair. In a recent interview, Lopez acknowledged these judgmental tendencies when he talked about why it took him so long to follow up on “Arctic Dreams”:

I think I had a greater tendency when I was younger to judge, to maintain states of anger. I had impatience. And I had to bleed all that off before I wrote ‘Horizon.’

In their place, this new book and his coming out to talk about it is more like one of the prophet Jeremiah’s Old Testament lamentations. Particularly in his fifth lamentation, Jeremiah tells of how the people of God lived through the destruction of Jerusalem but in the end stubbornly refuse to abandon their hope despite a deep uncertainty about their deliverance.

Lopez sounded like an Old Testament prophet when he said of himself a couple of years ago: “It is necessary to have people out on the edge calling back to us about what’s coming.”

Like others who have cried out to be heard from the wilderness, his perspective today is forged by his own survival, his willingness to look at the voids that chronicle our race towards destruction, his urgent recognition that we have limited time to turn the tide, and his refusal to despair because so many of those he has encountered as he’s wandered this earth have also found dignified ways to survive.

Without hectoring or drama, the prophetic perspective in Lopez’ current stories invites us to re-imagine the future in ways that—quite frankly–seem impossible for us to ignore.

This post is adapted from my April 7, 2019 Newsletter. You can subscribe here and receive it in you inbox every Sunday morning

We Are Making a Difference

January 20, 2019 By David Griesing Leave a Comment

When we set out to make a difference with our work, we usually are. It empowers us by doing it and empowers others who are trying to change the same things. It’s the belief in possibility that makes a new year, well…doable.

I came upon a guy last week who begins his day reading these phrases:

This is the beginning of a new day. You have been given this day to use as you will.

“What you do today is important because you are exchanging a day of your life for it.

“When tomorrow comes, this day will be gone forever. In its place is something you have left behind…let it be something good.

However “make the most of it” that sounds, it’s about whether we dare to face forward and declare ourselves because none of us has an unlimited number of days ahead of us when we can.

Historian David McCullough has written a dozen or so highly acclaimed biographies about Americans like Teddy Roosevelt, the Wright Brothers and John Adams. (You may also know him as the sonorous voice behind some of Ken Burn’s public television documentaries.) When he was interviewed about Truman, McCullough discussed this same quandary: whether to bother standing up for what’s important when it’s so easy to give up before you’ve even started.

The interviewer began by noting that “your writing makes readers feel like they are there,” and McCullough replying that his writing this way is deliberate.

What I’m trying to do is show readers—especially young readers—that things didn’t have to turn out as well as they did. I want them to know that life felt every bit as uncertain to people back then as it does to us today.

There were these moments when they had to be thinking, there is no way we can get this bridge built, or get this canal dug. But things worked out—because individuals behaved in certain ways, with integrity and resilience. They figured out how to work with other people, and they tried to do the right thing.

And my hope is that these stories will inspire some readers to behave the same way in the face of the uncertainty in their lives.

I found the immediacy and uncertainty before what happens next to be most compelling in McCullough’s 1776. But for tiny acts of imagination and courage all coming together 250 years ago, America would never have happened. And I can be a part of the same miracle today—if I choose to.

In a strange twist of fate several years later, McCullough found himself talking with his new internist about the Truman interview, about how today is no different than it was in the past, and the amazing things we might accomplish by acting despite today’s uncertainties.

I try to make that point in every interview. It’s really the main reason I do the work I do.

McCullough’s rationale for his lifetime of work is sharing this knowledge. Everyone who went on to accomplish something important could just as easily have sat it out, yielding to fear or inertia It’s not just a perspective for the young but for those at every stage of life who have a limited time ahead to leave behind something that they can be proud of. And finally, It’s not only advice for opinion writers or biographers, but for everyone who employs their skills on the gamble that they just might achieve a good result.

Writing this morning, it is easy to see 2019 as a gathering mess. No wonder people are looking for “unicorns” like Beto O’Rourke “to save the coming day for us” so we don’t have to get down into the trenches and do the hard work ourselves. But why not be a part of it, putting the faith in our own judgments instead of in a savior’s, particularly when so much that’s good has already been achieved in our lifetimes?

I can’t be reminded enough about the positive side of the ledger that’s laid out in Steven Pinker’s books like Enlightenment Now: The Case for Reason, Science, Humanism, and Progress (2018) (according to the data: life, health, prosperity, safety, knowledge, and happiness are all on the rise, and not just in the West, but worldwide), which builds on his earlier The Better Angels of Our Nature (2011) (that we’re living today in the most peaceful era in history). Like David McCullough, the perspective of time helps me to overcome my excuses and failures of nerve.

In the last couple of days, there was also Greg Ip’s helpful column looking both back at the past year and forward into the new one in the Wall Street Journal. Ip called it “The World is Getting Quietly, Relentlessly Better,” and he begins it with a promise:

If you spent 2018 mainlining misery about global warming, inequality, toxic politics or other anxieties, I’m here to break your addiction with some good news: The world got better last year, and it is going to get even better this year.

But what I liked the most about the column was his conclusion after reviewing the data about rising incomes and global progress.

Perhaps it…feels irresponsible to celebrate the many ways the world is quietly getting better because it distracts from the fight against things that are loudly getting worse: polarized and authoritarian politics, deadly opioids, nuclear proliferation, and most of all, a warming climate—a consequence of all those new middle-class entrants burning fossil fuels.

Yet obsessing over [these remaining] perils is how we’ll likely solve them.

Ip is saying that with focus and forward momentum—we can do this, and I happen to believe he’s right. We still have the hard work of planting the seeds that are there, but the ground is also in better shape than our sky-is-falling fears like to admit.

I wrote several posts last year about the threat of technology that arrives and is widely embraced before its downsides are known or anyone has had a chance to put reasonable safeguards in place. Social networks and smart phones today, with drone deliveries and autonomous vehicles soon to follow. The ethicist in me kept asking: “Just because we can do it doesn’t necessarily mean that we should, at least before we understand more of the implications than we do now.” So last year felt like frantically catching up with the aggregators who are selling our personal data and the too-big-for-our-own-good companies that no one worried about soon enough. Much of the time, it felt like not having enough fingers for the holes in the dike.

But still I railed against the privacy profiteers like Facebook and Google (for the sake of our ability to make decisions without manipulation) and monopolists like Amazon (because the free flow of goods and labor really is important). And all the while, others with similar sensibilities were jumping into these trenches too, with no certainty that anything would come of it. Well, this past week saw several news stories about progress that is being made where I doubted it ever would.

A story on January 11 announced that AT&T, Verizon and T-Mobile would no longer be sharing their users’ location data with those who are selling it to trackers because of privacy concerns that had been raised. Yesterday, Sprint followed up with the same decision. It was a victory (for now) over some of the tech giants with a brand new cohort of privacy advocates behind it.

Last Friday, there was a news report that customers, investors and employees are challenging Amazon’s facial recognition software because of similar privacy concerns. A group of nuns who are also investors have submitted a resolution for a vote at Amazon’s annual shareholders meeting. The company has refused thus far to halt the sales of personal data generated by its software, but it has been forced into a dialogue it would never have had without widespread pushback.

My favorite marker from last week also speaks to the critical mass of individual voices that have been building, one by one, against Facebook even when the odds against them seemed most daunting. Roger McNamee, an early investor in the company, was one of them. Despite becoming rich, having a personal relationship with Mark Zuckerberg, sitting on Facebook’s board for a time, and being a prominent member of the insider’s club in Silicon Valley, McNamee was one of the first to challenge Facebook’s excesses that nobody could ignore. It took his early critical statements along with the past 9 months of populist backlash to culminate in Time’s cover story this week—a testament to how voices both big and small can coalesce into a wave.

I want to mention something else too. I’m hardly a frontline tech commentator, but Roger McNamee signaled me through Twitter yesterday after I profiled his essay in Time. I’m not telling you this because it’s cool that he did but because taking a stand in your work, however you can, often puts you in the company of those you can be proud to be associated with. The experience of this kind of solidarity also helps me to forsake the safety of my fence and dive into the fray even when I’m reluctant to do so in the work that stares back at me every day.

It’s not just pushing the same rock up the hill, only to have it roll back down to its same old place. There is progress when I look for it, and I’m almost never alone.

There’s a wooden arch at our backyard entrance. It’s heavy with wisteria branches that are hung (as if for the holidays) with seedpods.

A few years ago, when Brendan Ryan’s painting crew was here gentrifying the place, I was outside, by this archway, talking to one of his painters when a prior generation of seedpods started popping like firecrackers, propelling their seeds loudly and with amazing velocity in all directions. It happened in March, with some change in temperature or water pressure that neither of us could feel triggering the explosion. We laughed when we realized what was happening, and eventually fell into quiet to absorb the miracle of it.

The wisteria was thrusting itself into the future.

Of course, we need more than nature’s rhythms to motivate us to get up and keep doing good work for another day or year. Plants also don’t make excuses, or have the luxury of feeling hopeless when their time has come.

But there are markers that bolster optimism when I bother to look, that help me to believe that I’m neither Sisyphus nor going it alone. Perspective. A record of progress. Occasions of solidarity. It’s about winning the game in my head so I have another day’s worth of fortitude to win it outside.

This post was adapted from my January 20, 2019 newsletter.

An Awesome Table

January 7, 2018 By David Griesing Leave a Comment

Awe can be expected, but never planned because there’s always an element of surprise—before being floored.

You can set the table for surprise, but never serve it to yourself.

For me, Rome is one of the world’s most splendid tables—and once again, it didn’t disappoint.

Work Life Rewards

When you’re open enough to be surprised by a human touch or the meaning below the surface, the relief of them is like water on dry ground. They enable the next effort and opportunity. They’re how what’s brown becomes green.

But however much we try to sustain ourselves and resist the tug of preoccupation, these recognitions about life tend to slip away, and the doors that let in the fresh or even fragrant air are opened less frequently.

Life and work begin to seem petty, predictable and ungrateful; the political discourse nothing more than coarse, small and insulting, with nary a grace note. Of course, you shut yourself in, but it’s barren and unrelieved with too little life.

Making yourself available to awe flings open the doors and windows.

Aren’t vacations for letting the amazing pull you out of your rut and catapult you towards heaven?

Looking up into the dome of Borromini’s San Carlo alle Quattro Fontane

“Beam Me Up, Scottie”

Even the best trans-Atlantic flights leave you disoriented on arrival. Little did I know that my imbalance was about to enter the spin cycle on the cab ride from Fiumicino to my hotel.

The mom of a high-school son and college daughter who drove me immediately talked about her 12 shifts on/2 off, back and forth at 48E, for those arriving in Rome or departing at very high speeds through its swirl of traffic. I asked: “So what do you do when you’re not working?” and she said matter-of-factly: “Defensive shooting.” As it was dawning on me that this was “using a gun to protect yourself” she was fastening her iPhone to a dashboard mount and launching videos of her darting through an obstacle course, firing at random shapes as they emerged from behind trees or around corners. Something like the FBI training center at Quantico.

“Who took these?” I asked. “Oh, my coach gets a keek out of me,” she said (which I rapidly translated from the Italian) “so he is always taking them.” He must have had a crush on her, and I could certainly see why as she whipped through an intersection at an impossible speed and I gave myself over to the ride. “Do Italian men like their women to use guns?” I couldn’t translate what she said in response, but some of it was “there are not too many of us,” and the rest of it was something other than “No.” Doors that had been closed were already opening, and I’d barely just gotten there.

We talked about ancient pissoirs we were passing, the easiest way to get an audience with the pope, the visiting time with the best weather and fewest tourists (before Easter), hand gun regulations in the EU, a particularly egregious assault on a woman she seemed to know, something about “immigrants from the south,” how guns are treated unfairly and knives are not, what was most exceptional about her son, and where she liked to travel most (the Middle East). Like Bernini’s David whom I met a few days later, I was fully locked and loaded by the time I got out of her cab and dove into my first afternoon.

Ciao Roma!

Santa Prassede

Between the jet lag and the cab ride, I was primed for awe but never realized how much until afterwards.

Rome’s seven hills make it anything but flat, so it was down to Barberini Plaza from the hotel and up to the intersection of two narrow streets where, in each direction, there’s a clear view of the obelisks and monuments of four distant plazas (“a masterpiece of Baroque city planning”) if you can brave looking amidst the racing traffic.

I was headed towards Santa Maria Majore, a 4^th Century basilica that was another down-then-up walk away. It felt good to get the blood flowing.

The basilica was vast, golden and humming with a life that included stand-up confessions being heard from open windows in the side aisles and the murmurs of afternoon mass from a hidden chapel. The pictures I’d seen in art class now had a context. I could appreciate the distinctiveness of the church’s soaring, rectangular space and spiraling, cosmatesque floors. I’d finally stopped for long enough to realize that this wasn’t Kansas anymore.

I knew there was another ancient church nearby and got directions. As I approached Santa Prassede, I might have seen the chance of being thunderstruck if I’d been thinking about anything other than finding my way to its simple doorway in the suddenly fading light. The place announces itself so softly, you barely know that it’s there.

You cross into St. Prassede from the side, expecting a similarly modest vestibule within. At first, it is hard to tell. There is more light from its candles than its electricity and it takes time for my eyes to realize how much it soars. There are mosaics on every surface of the apse that looms to the right behind the main altar, their tiny squares of gold and glaze not quite resolving into pictures in the half-light.

This space is also a hive of visitors, but here they’re more hushed and reverential as they cluster in groups or wander into alcoves. Their reserve tells me to approach more gingerly this time, and I sit in a pew to figure out how. An organ below the altar begins to trumpet through the gorgeous fragments of an unfamiliar hymn. He’s practicing I realize, and his repetitions and variations cushion us all with sound as the shadows lengthen and the sun sets. The dusk is rarely as hopeful as the dawn, and more mysterious.

Roman churches are often dark when you enter them, particularly on late fall afternoons, but a euro in a light box can usually be counted on to illuminate the Caravaggio painting or Bernini sculpture that you’ve come to see. You pay as you go when lighting candles as well. I had noticed such a box with its 1E sign in the front as I looked around but didn’t know what it would light.

A young man and woman came in just after me. As I watched them, she seemed tentative and stood off to the side, but he was more purposeful, kneeling and crossing himself at various stations before lying prostrate on the floor before the main altar for 30 seconds or maybe a minute. My own reasons for being there seemed inadequate in the face of his, but then he walked to the light box.

I took in a breath the way you do when the water suddenly goes over your head. The room had changed that much. Everyone looked towards the light with hungry eyes including the young man, his arms stretched out in an embrace. The volume of space, the envelope of music, and how we shared them were so ravishing as to be unnerving. This picture only gestures towards its suddenness and three-dimensionality.

Awe overtakes and sometimes overwhelms you. You feel you know something bigger and truer without being sure of exactly what it is. It engages your head but also your heart. You might also call it delight, amazement or wonder. It’s a channel that suddenly opens and disrupts you with a sense of deeper possibilities.

And I’d found it on my first day away.

The Bonus Round

As I’m writing this post, there’s a knock at my door and it’s a neighbor with cookies. Our friendship goes back decades to when her marketing company designed a logo for a company I was starting. Our work together made her friend as well as colleague.

She said this will be her happiest Christmas in years. She’d had a child 40 years ago as a college freshman, gave him up for adoption, had gone on to marry and have a family, and in September this son had found her, after searching for more than five years.

He is “amazing, successful, handsome, writes beautifully, is insightful, has his own beautiful children” and now has returned to her, a gift she’d never expected. He became a surgeon but could never have known that he came from a long line of doctors and surgeons, including her father and his grandfather.

The wonder of it was all over her face. She didn’t know she could still be this surprised. She was lit from inside with awe, and it had changed everything.

The Shortest Day of the Year

Last Thursday was the winter solstice, the shortest day of the year. From here on, every day until the summer solstice (6 months from now) is longer and a little brighter. It’s the backstory of the season’s holidays. These are the days for new beginnings and for miracles like Christmas.

The authors of our calendars knew what they were doing when they began each year with a measure of awe.

Note to readers: in a different form, this content was included in my December 24, 2017 Newsletter, the second of what turned into three posts about awe.

An Antidote is Awe

January 7, 2018 By David Griesing Leave a Comment

I’m about to fly out to a place that filled me with awe before, both as a teenager and as a parent. So I’ve been thinking a lot about that mix of wonder and apprehension that you only feel when you face something that’s exponentially vaster and less comprehensible than the realities you struggle to manage every day.

As much as I’ve poked fun at friends this year that “Your sky is not falling Chicken Little,” it seems undeniable that we’re in the most unsettled time since the early Seventies when I first took this trip. So once again I’ve been thinking about antidotes like awe (and its sidekicks beauty and timelessness). As the following observations attest, you don’t necessarily need a plane to get there.

Awe Can Come From the Sounds of the Words

As part of his project “to re-wild” our language, one of Robert MacFarlane’s recent “words of the day” on Twitter was “roke,” for the thick morning mist that rises like smoke from the ground and water. This picture of it was taken by John & Rosamund MacFarlane

Robert MacFarlane is a naturalist and the author of a new children’s book called The Lost Words.

The book is his and illustrator Jackie Morris’ response to a controversy that, at first, sounds peculiarly British. In 2007, the kid’s version of the Oxford English Dictionary announced that it was adding words like “broadband” to its new edition while removing a host of other words that it found to be “less in use.” Many of those words—including acorn, blackberry and bluebell—put names to things that are experienced in the natural world. Did their removal from the dictionary signal a deeper loss about what we know and don’t know?

Philosopher A.J. Ayres has argued that without a word for something, you are unable to conceive of it. Your imagination, your ability to conceptualize, and your vocabulary are closely intertwined. As a word like “acorn” departs the lexicon, it becomes harder for you to imagine that nut which falls out of oak trees to the delight of squirrels and other managers of their winter stores. Surely, the dictionary’s culling would contribute to these words’ disuse and eventual oblivion.

In the controversy that followed, MacFarlane, Morris and others wrote an open letter to the dictionary’s editors that stated in part:

“There is a shocking, proven connection between the decline in natural play and the decline in children’s wellbeing.”

The editorial changes marked a alarming shift from the natural playground outside to the screen-centered world inside. To repair some of the broken connections, MacFarlane and Morris decided to collaborate on The Lost Words, each one of which had been removed from the dictionary.

With gorgeous illustrations and poems that are meant to be read by children or to them out loud, The Lost Words is intended to operate like a “spell”—as in leaving you spellbound or in awe of a word and where your imagination takes it.

These are some of MacFarlane’s poetic conjurings around the lost word “otter”:

Otter enters river without falter—what a supple slider out of holt and into water.

This shape-shifter’s a sheer breath-taker, a sure heart-stopper—but you’ll only ever spot a shadow-flutter, bubble-skein and never (almost never) actual otter….

In one interview, MacFarlane said:

We wanted to make a spell-book in two senses—in that children spelt these words but that there was also this great sense of enchantment; that old magic of speaking things aloud.

MacFarlane is often asked whether he is hopeful about the future. “The bigger picture is dismal,” he says, mentioning plastic pollution, climate change and extreme weather events. But he’s also concerned about feeling paralyzed in the face of it.

Small acts of care are crucial—grass-roots charities, individuals, books, words, [all] are doing magic work—so to say there’s no point is an abandonment of everything. Hope is a greater agent for change than despair.

You can follow his hopeful words on Twitter too @RobGMacFarlane

Great Teachers Share Their Awe

The shortest path to continuous learning comes from cultivating the desire to be surprised and amazed. The best teachers have this desire, and their life’s work is sharing their intoxication with others who want to have it too. For them, it’s an essential part of completing who you are.

A teacher can stimulate a compulsive kind of curiosity by recounting how a book, an experiment, a theory or an equation is still exciting to him or continues to affect her. “Thrilling.” “Gorgeous.” “Amazing.” “It can still send shivers down my spine.” Students can always follow scents of engagement like this because they can feel how they bring their teacher to life.

Why math, history, chemistry or English actually matter requires witnesses who have already been convinced and can share their belief. For teachers like this, the goal is not to transfer content into rows of empty boxes but to foster “a quality of mind” that inspires students to pursue their own questions while showing them how to satisfy their thirst for knowledge. It’s releasing the intrinsic sense of wonder in every learner instead diverting it into the extrinsic search for grades or the approval of others.

On the most basic level, infectious curiosity becomes a part of every learner’s agency. You complete yourself by your continuing willingness to be surprised and amazed.

To be awestruck.

Awe Follows Invitations to Get Lost in Something Bigger Than Yourself

I recommend Casper Henderson’s A New Map of Wonders: A Journey in Search of Modern Marvels. It’s a rambling, lively and insightful discourse on the wonders that are all around us.

Like MacFarlane (another Brit), Henderson is careful with his words. “I prefer the term ‘wonder’ to ‘awe,’ he writes in a short essay about his new book in The Guardian:

For me, awe, even in its everyday clothes, is redolent of something that almost overwhelms us. Wonder, by contrast, is a state in which we remain in possession of our intellectual faculties as well as feel emotionally elevated. It has much in common with awe, but it also overlaps with curiosity. ‘When experiencing wonder,’ writes the scholar Matthew Bevis, ‘it feels as if we know something without quite being sure of what we know.’

Wonder is a state of deep attention in which we feel good and think clearly, and connect to phenomena beyond ourselves.

For me, whether you’re mindful or just about to lose it, what’s interesting about these phenomena is not just the mental focus they invite but also the unconstrained emotions they unleash.

For example, when considering rainbows, full-moons and meteor showers, Henderson notes how little the scientific explanations for these occurrences interrupt our experience of their majesty. Whatever our minds tell us, we are still delighted, amazed and almost lost to reverie when we see them.

There is also tremendous emotional gravity around our knowledge that world leaders in America, Russia and even North Korea have the power to launch a nuclear attack. Musing about a president’s access to the nuclear codes, Henderson manages to co-mingle our consideration of this awesome destructive power in his hands with its tragic and very human consequences by citing a jaw-dropping proposal that was made early in the Cold War:

[I]nstead of having launch codes in an attaché case carried by a young officer constantly at the President’s side, the codes [could] be surgically implanted in a capsule beneath the officer’s heart. Then if the President decided that the murder of tens of millions of people was necessary, he would himself have to access the codes by using a butcher’s knife to gouge out the young man’s heart.

For me, anyway, the wonders (like this) that Henderson describes are always on the cusp of lapsing into deep and uncontrollable awe. While becoming more mindful of the wonders around you may be exactly what you need to counter your screens’ addictive attractions, what makes his book so fascinating is its many invitations to get lost in contemplations that are so much bigger than yourself.

The Awesome Edge

Some really interesting things can happen when you leave the familiar behind and inhabit—if only in your mind for a limited time—what lies beyond it.

Victor Turner called this a liminal space, where the reality between the familiar and the unfamiliar tend to blur. From looking at rites of passage or transition rituals in many cultures—such as transforming a boy into man—Turner believed that when you are at the tipping point between one state and another, the dividing line between your individuality and a wider sense of shared meaning gets blurred. You are not only a boy, but also a vital part of a tribe. Not one organism, but united with the entire natural world.

It’s very trippy stuff, but Turner also argues that liminal spaces provide access to thoughts and emotions that can’t be accessed in any other way.

I had one of those experiences several years ago, when I left my freshman year in college for bootcamp in the Coast Guard. One of the short stories in my book describes the edge of my known world this way:

The Coast Guard’s training center juts into the Atlantic churn at the tip of New Jersey, and its southwest watch station sits on a ghostly beachhead whose brow meets the whitecaps when the moon is out. The watcher’s charge is to look out for anyone who is trying to infiltrate our clambake (or escape from it) when a gate of sorts opens between the fence that extends to the high water mark and the retreating tide.

During my duties at this station during “the mid-watch” from 2-6 a.m. one February morning, I could see:

the stern markers of passing trawlers, somebody on watch there too. There were buoys in the straits, candles that I’d learn to keep to my right when following a channel. Under the torn up dark there were even planes on their way to Newark or Philly, their taillights dipping beneath the clouds and their pilots looking down to see where the water turned to land.

I was sick, sleep deprived, feeling sorry for myself, 19 and wondering what I had to hold onto. I knew where I was coming from, but not what I wanted to go back to.

You have to go out—sometimes very far out—and experience something like awe before you can come back in to reassemble the pieces. It may be the only way to refresh what’s really important.

Place Settings for Awe

Shortly after this post, I am flying out for a week in Rome.

I’ve experienced place-induced awe more than once when travelling.

Looking out over the rooftops in East Jerusalem, descending the slick rocks behind a waterfall in Venezuela, drowning in the flower clogged prairie of western Colorado in late June. I’ve also experienced it in Rome. Like Jerusalem, it’s a place where one layer of history is piled on top of another while at the same time it is intensely lived in—through daily use—by everyone who’s there now.

Because they are living so hard and so well, no one in Rome is interested in turning the city into a theme park, so the immensity of time and lived experience is almost everywhere.

I can’t believe how much I’m looking forward to the pageant of it, the food, and the vistas that keep opening up and down its seven famous hills. When the jet lag has been slept away, or maybe while I’m still in its hazy focus, I might even feel its special kind of awe again.

Note to readers: in a slightly different form, this content was included in my December 10, 2017 Newsletter, the first of what turned into three posts about awe.

Characters Find a Theme

June 27, 2014 By David Griesing Leave a Comment

In 1921, Luigi Pirandello wrote the play “Six Characters in Search of an Author.” A half-dozen actors show up in the theater as incomplete characters looking for someone to finish their stories. In this absurdist masterpiece, the completion they find is disavowal, suicide, an accidental drowning, a great deal of confusion, and the playwright’s wondering why he ever agreed to get involved in the first place. Who would have thought that unfinished characters showing up today could find a more meaningful sense of completion in the most mundane of life’s details, but the characters in a pair of one act plays called “Sweating” and “Sleeping” (staged as part of Philadelphia’s on-going Solofest) did just that.

Steve Gravelle has hyperhidrosis, a condition characterized by excessive perspiration. We learn that one in 20 individuals is a chronic sweater, but Gravelle didn’t find anyone else who would admit to the condition until well into adulthood, so he mostly bore the stigmata of near-constant wetness alone. That kind of humidity can do something to you.

Standing in a basement under a cluster of blazing stage lights, he told us just what it was like in a series of funny, sad, profane, and revelatory vignettes, each concluding with his changing his shirt. As our own moisture gradually merged with his, it became like a crowded sauna down there, brilliantly setting the stage for Gravelle’s description of his time in a sweat lodge with a group of Quakers who had taken the ancient Indian ritual for their own. Gasping from breathing in and being nearly consumed by the intense heat, the experience ultimately produces a calm euphoria—a visceral arc that each of us got to travel with this very physical actor.

The sweat lodge story may have been the first time that sweating was good for Gravelle, but in a further advance towards acceptance, his marriage ceremony became another. In Philadelphia, the end of July better come with air-conditioning if you’re going to host a wedding reception here. But in a laugh from the gods that was aimed directly at him, electrical transformers exploded, turning the reception hall into its own kind of sweat lodge.

Instead of resignation to the absurdity, Gravelle had wrestled with his flowing pores for so long that (in this most sacred of life-moments) he ended up accepting his fate in an abandon of joyous dancing. My only regret was that he didn’t do more to show us his abandon in a rhythmic whirl of cast-off droplets, like a congregation’s blessing during Asperges.

Sara Nye is Gravelle’s wife, and the angle she claimed to illustrate her life was the tendency to fall asleep at the most inopportune, embarrassing and occasionally appropriate times. These one act plays were staged in a South Philadelphia brownstone, and for “Sleeping” the audience repaired from cellar to upstairs bedroom with chairs arrayed in similarly claustrophobic manner, this time around an ample bed. Nye is a dancer and collaborator in the creation of spoken soundscapes that envelope a dancer’s movements. The recording of her soft-spoken narration here was underscored by lilting, almost hypnotic music, dotted (at least in the beginning) with strange exclamations and cries, presumably from somewhere in her unconscious.

Nye used the bed the way painter Francis Bacon locates his figures—as a stage for tremendous physicality. She gyrated, tented herself beneath the sheets, draped her torso over a corner, cosseted herself like a queen in the comforter, thrust her legs into the air, and caressed the sleeping pillow of her husband: all to illustrate how whatever she’s doing can be so easily overtaken by the oblivion of sleep.

While Nye’s precision was always supported by her gorgeously mesmerizing soundtrack, her reach was particularly assured when she read passages from Thomas Hardy’s Tess of the D’Urbervilles, only to have his beautiful cadences repeatedly broken off in mid-sentence by the doze that everyone who has taken freshman English knows only too well. In a nearly sublime conclusion that echoed the recent wedding epiphany below, the last time that Nye falls asleep, Gravelle tiptoes in to (quietly & tenderly) escort everyone but his sleeping wife out of the darkening room.

We’d all like a theme to make better sense of our lives. What did these unexpected viewpoints tell us about living, or tell the performers about themselves?

Sweating and sleeping in these ways set the players apart from the social norm, left them no choice but to see themselves as singular and slightly askew, and the places where they are supposed to belong differently. In tribal cultures, it is a common rite of passage to go out into the wilderness alone for a time, to think about your new role (as adult or wife, a recent hire or holy man) and what it will be like for you when you return. Each of these plays was a similar act of meditation. A deeply personal way to go out, so you can come back in and have it all make a little more sense.